Learn No 1 secrets of making painting like Old Master
What you'll learn
Develop Fundamental Skills: Grisaille portrait painting requires a strong understanding of light, shadow, and value.
you'll gain the versatility to express your creativity across different genres using the Grisaille technique.
you'll learn to observe and analyze the subtle nuances of form, texture, and composition
you'll gain expertise in controlling values, achieving realistic tonal transitions, and creating a strong visual impact with limited color range.
By understanding the techniques and principles behind Grisaille, you'll be able to create powerful, evocative artworks that stand the test of time.
Requirements
Anyone who is new to Drawing and Painting skills
Description
A grisaille provides solid modelling of the 3 dimensional forms in opaque paint. This is important because many beautiful colours are transparent to some degree.Grisaille can be a great way to create depth and volume in your paintings.Grisaille techniques can be used to create a range of different effects, from subtle to dramatic. With a little experimentation, you can find the right approach for your artwork.It makes you focus on the subject matter, composition, line and other elements of art while not being distracted by colour.Grisaille has been used by artists for centuries, and there are now many different books that can teach you how to use this style. Some of the most famous artists who have used grisaille include Rembrandt, Michelangelo, and Leonardo da Vinci through to Rene Magritte and Picasso.This course teaches from starting the drawing stage to finish Grisaille Painting.It can also be used to create a sense of depth or atmosphere in a painting.If you want to create a painting with a light and airy feel, you could use grisaille to paint bright highlights in the foreground.Grisaille is a versatile technique that can be used to create a wide range of effects. It's also a relatively easy technique to learn, and it's perfect for beginners who want to try their hand at painting.Picasso used grisaille (shades of grays) for Guernica. The belief is that he wanted us to be forced to look into the horrors of war.
Overview
Section 1: Introduction
Lecture 1 Introduction
Section 2: Instructor Introduction
Lecture 2 Instructor Introduction
Section 3: Materials and Medium
Lecture 3 Materials and Medium
Section 4: Making of value scale using Raw Umber
Lecture 4 Making of value scale using Raw Umber
Section 5: Making of value scale
Lecture 5 Making of value scale
Section 6: Sphere painting based on value scale
Lecture 6 Sphere painting based on value scale
Section 7: Rendering the Sphere
Lecture 7 Rendering the Sphere
Section 8: Toning of the Canvas
Lecture 8 Toning of the Canvas
Section 9: Drawing Stage/Block-In
Lecture 9 Drawing Stage/Block-In
Section 10: Dead Colouring
Lecture 10 Dead Colouring
Section 11: Variation of dark
Lecture 11 Variation of dark
Section 12: Variation of dark and light
Lecture 12 Variation of dark and light
Section 13: Painting the Hair
Lecture 13 Painting the Hair
Section 14: Painting the Hair continue
Lecture 14 Painting the Hair continue
Section 15: Variation of Dark/Face
Lecture 15 Variation of Dark/Face
Section 16: Variation of Darks of the Face
Lecture 16 Variation of Darks of the Face
Section 17: Variation of Light of the Face
Lecture 17 Variation of Light of the Face
Section 18: Variation of Light of the Face continue
Lecture 18 Variation of Light of the Face continue
Section 19: Variation of Light of the Face continue
Lecture 19 Variation of Light of the Face continue
Section 20: Painting the Eye
Lecture 20 Painting the Eye
Section 21: Painting the Forehead
Lecture 21 Painting the Forehead
Section 22: Painting the Eyes and the Nose
Lecture 22 Painting the Eyes and the Nose
Section 23: Painting around the Eyes
Lecture 23 Painting around the Eyes
Section 24: Painting the cheek bone area
Lecture 24 Painting the cheek bone area
Section 25: Painting the Forehead and the Nose
Lecture 25 Painting the Forehead and the Nose
Section 26: Painting the Nose and the Lips
Lecture 26 Painting the Nose and the Lips
Section 27: Painting the cheek area and areas around
Lecture 27 Painting the cheek area and areas around
Section 28: Painting the shadows of the Nose
Lecture 28 Painting the shadows of the Nose
Section 29: Painting the chin area
Lecture 29 Painting the chin area
Section 30: Final finishing of the Grisaille Portrait
Lecture 30 Final finishing of the Grisaille Portrait
Section 31: Final finishing and touches
Lecture 31 Final finishing and touches
For Beginners, Intermediate and Advance Learners
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